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Yuku is a young mouse who lives with her family in the cellar of a castle. Her grandmother passes on the family values by telling her timeless folk tales. Injured in a tussle with a cat, the old mouse is bedridden and she tells her children that she will have to leave them to follow the little blind mole into the Earth’s tunnels. In one of her grandmother’s storybooks, Yuku learns that the flower of the Himalayas can bring her eternal light. She leaves on a journey of discovery to find the flower.

At the end of a quarry, in a godforsaken place called Rotzloch, a new life begins for four young men. After a long escape, they try to get their feet back on the ground. Above all, they long for contact with women, for encounters, love and sex. In the process, they encounter a different culture and get into conflicts of which they had no idea.

A seemingly simple taxi ride across Paris evolves into a profound meditation on the realities of the driver, whose personal life is in shambles, and his fare, an elderly woman whose warmth belies her shocking past.

Somewhere between Montmartre and Saint-Germain-des-Prés, Jean-Jacques Sempé and René Goscinny lean over a large white sheet of paper and bring to life a mischievous and endearing boy, Little Nicolas. From schoolyard games and fights, to summer camp pranks and camaraderie, Nicolas lives a merry and enriching childhood.

It is with great emotion that we rediscover the magical langage of the late screenwriter Jean-Claude Carrière, as he researches the painter Goya. An incredible trip through culture, emotion, cinema, painting and Spain.

In 2008, Teodora Vásquez was convicted of aggravated homicide and sentenced to 30 years in prison for having had a late-term miscarriage.

In Lausanne, a group of young women and queer people in their twenties start making pornographic films. They do everything they can to produce ethical and dissident films. Very quickly, the media and then the public become aware of the collective. They fight for a different vision of pleasure and sexuality.

Chaylla is fighting to free herself from a violent relationship. Her determination comes up against a part of herself that still hopes it is possible to share her life with the father of her children. This magnificent first feature film sheds upsetting light on violence against women and the difficulties of finding a way to justice.

Sylvie, a nearly sixty-year-old woman, has fallen in love with Michel, a thug she marries in prison. The two of them dream of starting again with a clean slate by opening a flower shop. But Sylvie’s son Abel, convinced that Michel will fall into a life of crime, disapproves of this relationship.

When a team of mercenaries breaks into a wealthy family compound on Christmas Eve, taking everyone inside hostage, the team isn’t prepared for a surprise combatant: Santa Claus is on the grounds, and he’s about to show why this Nick is no saint.

The long-term documentary about Kalle, a boy from the prefabricated housing projects along the Allee of the Cosmonauts, paints a different picture of Berlin: “Poor” is not “sexy” here, it means: bad opportunities. The directing duo respectfully accompanies Kalle and leaves the charismatic boy to speak, supplementing scenes with animated sequences where background knowledge is meaningful.