Wearing heavy rubber boots, Fränz Röösli climbs atop his charcoal pile and starts poking holes into what he calls the “Grind” – the “head” or dome of the pile, which reaches four meters above ground. White smoke rises from the holes, curling around the charcoal burner to the whims of the wind before it is carried off into the dark of night. In calm, stunning images, the documentary “Köhlernächte” by Robert Müller draws the viewer into the archaic world of commercial charcoal burning in Switzerland’s Napf region.

The true story of former ski racer Molly Bloom, who during the financial crisis set up exclusive multi-million-dollar poker games in hotel suites in Los Angeles and New York, where movie and sports stars met business giants and men of dubious wealth. When members of the Russian mafia infiltrated the games, Bloom was targeted by the FBI and charged with money laundering and tax evasion. Aaron Sorkin's court thriller and gambler movie rolls up the case against Bloom, in which her lawyer was her only ally and was surprised himself by the extent of her entanglements,

A dead man is found near the tranquil village of Gerzenstein. The murder suspect, an ex-convict and gardener's assistant, tries to hang himself in the cell. Wachtmeister Studer does not believe in his confession and researches the victim's relatives, the boss and professional colleagues of the alleged murderer and in the village restaurant, where everybdy passes by, from young slicers to the mayor. From the hints and tricks of the villagers, Studer gradually reconstructs the true course of events with flair, authority and humor.

The portrait of the legendary filmmaker and artist Maya Deren (1917-1961), a central figure of the American avant-garde. Forty years after her death, the experimental film director, who lived in New York in the 1940s around André Breton, Marcel Duchamp, John Cage and Anaïs Nin, has become a myth with countless stories entwined around her. In conversations with contemporaries, the life story of the pioneer and relentless propagandist of poetic film is reconstructed and supplemented by previously unpublished archive material.

Adele's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult. In front of others, Adele grows, seeks herself, loses herself, finds herself. (TMDB)