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Pedro travels from Spain to Argentina for a vacation at his uncle's home, where he meets Maxi again, a childhood friend. Maxi is surprised when he finds out Pedro is gay. When Maxi finds his ex-girlfriend is also there, he asks Pedro to pretend to be his boyfriend to win her back. Pedro accepts the game, unaware of the dangers of playing with love.

Amid the surge in anti-trans legislation that Chase Strangio battles in the courtroom, he must also fight against media bias, exposing how the narratives in the press influence public perception and the fight for transgender rights.

After being released from a juvenile detention center, Wellington finds himself alone and adrift on the streets of São Paulo, without any contact from his parents and lacking the resources to rebuild his life. During a visit to a porn theater, he encounters Ronaldo, a mature man, who teaches him new ways of surviving. Gradually, their relationship turns into a conflicting passion, oscillating between exploitation and protection, jealousy and complicity.

A thirty-year-old city-dweller compelled to spend ten-day mourning of his father in the rugged countryside of Western India tenderly bonds with a local farmer struggling to stay unmarried. As the mourning ends, forcing his return, he must decide the fate of his relationship born under duress.

After an abrupt layoff, Z embarks on a trip across the Midwestern United States in search of a friend who has seemingly disappeared off the grid. Traveling with her two closest friends, these three queer black femmes find their priorities tested as shapeshifting threats in each city expose (inter)personal and ideological fractures.

Love Alone Can’t Make a Child chronicles the love story and emotional odyssey of Maria and Christiane who, for over a decade, have been trying to fulfil their desire of giving birth to a child of their own. The director, a childhood friend of Maria, lovingly narrates the couple's journey, showcasing their resilience in the face of ever-increasing challenges, and the intricate dynamics of a relationship under tremendous strain. More than anything else, the film continually pursues what love truly means in a long-term romantic relationship.

Director Joseph is working through a new idea for a film and the breakup with his ex-boyfriend Marc. At the same time Sonya, the mother of his son Pino, is suffering from a depression that increasingly tears her from her life.

Gabriel, a 24-year-old anthropologist from a wealthy family from the interior of the Northeast, is gay and in the closet. Following the death of his grandmother, he decides to go to Rio de Janeiro to study the lives of sex workers. Seduced by his object of study, Gabriel will become one of them.

Frustrated with his commitment-phobic boyfriend Chris and running out of time, Min makes a proposal: a green-card marriage with their friend Angela in exchange for her partner Lee's expensive IVF. Elopement plans are upended, however, when Min's grandmother surprises them with an extravagant Korean wedding banquet.

A gay man impersonates men he has had sex with and brings this new persona with him to his next hook-up. Only by pretending to be someone else can he be truly himself.

Justine, her husband and their gang of friends come up with a solution to their money problems: organize a fake romantic cruise for Franck, a major investor, who is looking to seduce a woman.

Max, a 25-year-old aspiring writer living in London, begins a double life as a sex worker in order to research his debut novel.

Peaches Goes Bananas takes an intimate look at artist and musician Peaches' playful and intoxicating creative world. Real name Merrill Beth Nisker, Peaches left home and her job as a schoolteacher in Canada with the ambition of making a name for herself in the Berlin Underground, combining sex, punk, and the sweet memory of the early '80s, when disco went underground again.

An actor and a politician start a secret affair and together discover their fetish for having sex in public places. The closer they get to their dream of fame, the more they feel the urge to put themselves at risk.

""I collect. I document. I write down my memories. I’m afraid they’ll disappear." This is how Victoria Verseau introduces her intimate documentary diary, in which she returns to Thailand and to the year 2012, when she underwent her transition. She had long awaited this moment, but then came feelings of uncertainty, amplified by the death of a close friend. The conceptual artist adopts an almost archaeological approach to the past and lays bare the process of writing a personal story that is intrinsically linked to the creation of her own identity. In this deeply felt debut she reveals the joyful aspects and also the dark recesses of transition and, bringing other testimonies into play as well, she critically examines what defines women as women."

Rosa, 20, leaves Cape Verde after the death of her husband to settle in Reboleira, a poor district of Lisbon. She works for Nunha, a local matron who runs a small bistro. Caught between the harassment of kingpins and daily police violence, Rosa knows she must keep her cool, as she has a mission: to send money to her two children. To console herself, she sings about her misfortune in the evenings.