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Fascinated by the already legendary filmmaker, as a teenager Thomas dreamed of becoming his assistant. He wrote to JLG and asked him if he could "look over his shoulder" while he is at work. JLG never answered. Rejected by the master, the teenager must now find his own way as a filmmaker until that day in 2021 when he senses JLG's end is near. Thomas decides to visit the master. On foot. A pilgrimage to pay his (last) respects.His aim is to meet JLG in person. Thomas Imbach dreams of filming not the master, but WITH the master, for which reason d, he has packed his Aaton camera in his backpack. The closer he gets to Lake Geneva, the more intense his emotions, his anxiety, his uncertainty. SAY GOD BYE is the story of an obsession; it is also a story about the universal theme of love. It is the story of a man who finally summons the courage to seek out his beloved, to tell him face to face about his lifelong love and to say, “Thank you, JLG”.

In the post-apocalyptic future, Jovan, a young man must choose whether to take revenge on his enemy Tudjin for all the crimes he has committed against his family, or peacefully continue his life in the mountain, thus securing his family legacy.

Aspiring actor Edward undergoes a radical medical procedure to drastically transform his appearance. But his new dream face quickly turns into a nightmare, as he loses out on the role he was born to play and becomes obsessed with reclaiming what was lost.

A deeply intimate and highly cinematic documentary featuring the Dalai Lama, who, at nearly ninety year of age, offers practical advice for navigating the 21st century's challenges.

As a young man, director Ike Nnaebue left Nigeria intending to take the route via Benin, Mali, and Mauritania to Morocco - but he was forced to turn back earlier, and never made it to Europe. In his first documentary, No U-Turn, he retraces the life-changing journey he made over 20 years ago. Along the way, he meets those who are taking the same trip and, through conversations with them, tries to understand what motivates young people today to expose themselves to the dangers of a passage into an uncertain future. Most are aware of the dangers of traveling undocumented by road, yet more and more are joining the ranks of those who take this risk. Overlaid with a powerful poetic commentary and insight into the long-reaching impact of a colonial past, this self-reflective travelogue unpacks the deep longing of an entire generation in search of opportunities.

Between 1955 and 1995, over 70,000 West African children were fostered by white Britons, in a practice known as ‘farming’. Many individuals then had to live, often in silence, with the long-lasting impact of this controversial official policy. Nine of those raised this way were invited to a workshop retreat, under professional guidance, to discuss their experiences. Each take turns delving into their past, revealing the confusion and trauma of dealing with such change at a young age. For many, this marks the first time they have had the opportunity to connect with people who have shared a similar childhood. White Nanny Black Child presents a personal, moving and sometimes unsettling meditation on identity, belonging and the nature of family.

The world seems to be coming to an end, teeming with the vestiges of a human presence. Cat is a solitary animal, but as its home is devastated by a great flood, he finds refuge on a boat populated by various species, and will have to team up with them despite their differences. In the lonesome boat sailing through mystical overflowed landscapes, they navigate the challenges and dangers of adapting to this new world.

Filmmaker Adrien Bordone's Spanish friends were born in Switzerland and were forced by their parents to return to Galicia after finishing school. 20 years later, we explore the reasons for this remigration. “Mes amis espagnols” is a reflection on exile and the gap between generations, but also an attempt to heal the wounds of childhood. The film offers a nuanced picture of contemporary masculinity and its fragility.

Idrissa lives in the suburbs of Dakar, Senegal. As a result of budgetary restrictions imposed by the IMF, then headed by Dominique Strauss-Kahn, he lost his job as a civil servant. Since then, Idrissa has been looking for work, without success. His pride as an African man is all the more affected by the fact that he is now entirely dependent on his wife, Viviane, who somehow manages to support the family through her medical practice. Aminata (Idrissa and Viviane’s daughter) and Moussa, two young students in love with each other, also see their lives disrupted by the economic situation imposed on the country. After yet another humiliation, Idrissa, who holds Strauss-Kahn responsible for his misfortune, decides to go and see a marabout to prepare his revenge…

The adventures of a young fawn, surrounded by his mother and the animals of the forest: his friend the raven, the rabbit, the raccoon... Every day, his mother teaches him to grow up strong. But in autumn, Bambi ventures out into the open when hunters separate him from his mother forever. From then on, the young fawn had to learn to live on his own. Fortunately, he finds his childhood friend Faline. Then a large, majestic deer, who is none other than his father, finds Bambi and helps him to grow up. Bambi then takes his destiny into his own hands.

Ingrid and Martha were close friends in their youth, when they worked together at the same magazine. Ingrid went on to become an autofiction novelist while Martha became a war reporter, and they were separated by the circumstances of life. After years of being out of touch, they meet again in an extreme but strangely sweet situation.

In 1967, in the middle of the Cold War, Joseph Stalin's only daughter goes to the American embassy in New Delhi and asks for asylum. Svetlana leaves behind her country and her two children. Hunted by the press, the KGB, and many admirers, the woman, nicknamed the Kremlin princess, will never cease to flee. From the summit of the Soviet empire to the solitude and poverty of her last years in a Wisconsin home, Gabriel Tejedor traces the destiny of a resolutely free woman, at the very heart of the century and its geopolitical challenges.