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A man claiming to be from the future takes the patrons of an iconic Los Angeles diner hostage in search of unlikely recruits in a quest to save the world.

As long as Kweku Adoboli is making millions for UBS in London, his future seems golden. But when the young trader takes responsibility for a $2.3 billion loss, the narrative shifts dramatically.

Der Film besteht aus mehreren miteinander verflochtenen Geschichten und erzählt von unterschiedlichen Formen der Beziehung zwischen Müttern und Kindern – von der Kindheit bis ins Erwachsenenleben.

Carlo and Elisa are a successful couple. He’s a university professor and writer facing a creative block; she’s a brilliant, sharp-witted journalist, known for her internationally published editorials. They live in Rome, moving between accomplishments and routine, affection and something that might be fading. In search of new energy, they travel to Morocco with their lifelong friends, Anna and Paolo, and their thirteen-year-old daughter Vittoria—bright, curious, a little eccentric. Tensions soon rise.

Marianne is THE richest woman in the world. Pierre-Alain, is a dandy-writer-photographer in Paris. They meet on a photo shoot and become inseparable. Their loving friendship surprises, amuses, intrigues, makes people talk and eventually unsettles the billionaire’s entourage and family. Marianne's daughter, in particular, struggles with her mother’s sudden complicity with this younger man insatiable for money.

Religious leader Mother Ann Lee founded the Shaker movement, proclaimed by her followers as the female Christ, and built one of the largest utopian societies in American history.

Fresh out of a psychiatric hospital, Pia moves back in with her parents to get her life together. Torn between a new job, lovesickness, psychotropic drugs and social stigmatization, she emerges into a world where everything seems out of control.

Although director Olga Kosanović was born and raised in Austria, she is not allowed to be Austrian. Her first attempt at naturalization failed. One contemptuous social media comment summed it up: “If a cat gives birth in the Spanish Riding School, that doesn’t make the kittens Lipizzaners.”What notion of identity underlies a legal system that divides society into “us” and “them”? A film about belonging — and about a second attempt.

Matthias is a master of pretense, from cultured boyfriend to perfect son or marital coach. He makes a career of being someone else. The real challenge begins when he has to be himself.

A Sri-Lankan artist discovers the collection of one of her country's indigenous communities in Switzerland and gets involved with its restitution. An obstacle course through the authorities begins.

In a world almost like ours, Jonah works for an agency that offers human relationships. When he's hired to serve as Nika's father, he begins to lose control of his tightly controlled life.

When a train unexpectedly starts up, taking only pets with it, the animals discover that Hans, a badger with a grudge is behind it all. While the crash seems inevitable, the animals can count on Falcon, a roguish Raccoon who will do anything to save them.

In 1959, unlike his friends François Truffaut and Claude Chabrol, film critic Jean-Luc Godard had not yet made a feature film. When the opportunity arises to shoo À bout de souffle with Jean-Paul Belmondo and Jean Seberg, Godard surprises everyone: he will only work when he feels like it, and none of the stars will read the script in advance. The shoot is accordingly full of surprises: the creation of a milestone in film history.

When Diem's custodial grandparents adamantly refuse Kenna's attempts to see her, she discovers unexpected compassion, and then something truer and deeper, with former NFL player and local bar owner Ledger. As their secret romance develops, so do the dangers for both of them, leading Kenna toward heartbreak and, ultimately, the hope for a second chance.